Our columnist reviews this season’s new books. Credit...Audrey Helen Weber Supported by By Jennifer Harlan Jennifer Harlan is ...
Our thoughts on Question's roguelite deckbuilder The Killing Stone, in which you play a 17th century witch haggling over ...
Fans of the fantasy genre can be notoriously discerning, especially when it comes to adaptations or shows that rely heavily ...
In “The Bride!” Maggie Gyllenhaal fails to breathe new life into a classic source material. Landing in theaters March 6, actress and filmmaker Maggie Gyllenhaal’s sophomore directorial project trips ...
Disney and Pixar’s environmental adventure “Hoppers” topped the North American box office this weekend with $46 million in domestic ticket sales in its opening weekend, according to studio estimates ...
With her audacious sophomore feature “The Bride!” writer/director Maggie Gyllenhaal offers a topical-ish take on “Bride of Frankenstein”: what if “the Joker” was “brat”? (To borrow Charli XCX’s ...
The Bride! starts with Buckley conveying Mary Shelley, the author of Frankenstein, in an inspired sequence that is best left to be discovered than analyzed in a review like this. We meet Buckley’s ...
Maggie Gyllenhaal’s “The Bride!” is a big, brash swing at a new “The Bride of Frankenstein” that struggles to cohere its many parts. But I’ll say this for it: It’s alive. Just months after Guillermo ...
If they had, they likely wouldn’t have known how to handle themselves around the whirlwind of Jessie Buckley’s constantly in-motion character, who adopts several different personas throughout the ...
It took more than 50 years, but we’ve finally gotten a successor to Mel Brooks’s “Young Frankenstein” that focuses on the Bride of F. There’s even another formal-wear rendition of “Puttin’ on the Ritz ...
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